Emily is a girl trying to outrun a troubling past. She finds herself losing that race as she starts her freshman year at college. As she goes through the challenges of starting a new life she finds her murderous urges resurfacing. Hiding behind a facade she pretends to be just a normal girl; she just happens to be slashing her way through college.

Emily @ the Edge of Chaos interweaves Emily Levine’s live performance with animation, appearances by scientists, and animated characters. The film uses physics, which explains how the universe works, to explain our metaphysics – the story of our values, our institutions, our interactions. Using her own experience and a custom blend of insight and humor, provocation and inspiration, personal story and social commentary, Emily takes her audience through its own paradigm shift: from the Fear of Change to the Edge of Chaos.

An unemployed man who lives with his wife and overbearing mother-in-law sees an opportunity to relieve himself of the old bat, which tangles him in a maze of deception.

Lyrical evocation of passages from the diary of Ashbel Green Simonton who, in 1859, arrived in Brazil with the purpose of dividing his faith amidst anguish, doubt and nostalgia for the lost unity, laying the foundations of Presbyterianism in the country.

On Halloween night, a grieving woman turns to the occult in an attempt to reunite with her deceased lover.

A sequel to One Song a Day Takes Mischief Away (1970) set in 1964.

Based on the 1890 novel by Raffi, about Murad, an apprentice of a blacksmith who fell under the influence of the pseudo-priest of the Armenian Church Petros and became, like him, a cross-stealer.

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The comic tale of Charles Pooter and his wife Caroline, a middle-class couple living in London towards the end of the 19th Century.

During World War II, a teenage Jewish girl named Anne Frank and her family are forced into hiding in the Nazi-occupied Netherlands.